Endurance 22'

Endurance 22’ set the visual standard for Infinite Orbits’ missions. We created detailed 3D rigs for the Endurance servicer and target satellites so we could animate docking, attitude control and orbit changes with calm, realistic motion.

To help non-technical viewers follow what is happening, we combined physically plausible movement with clean motion graphics showing orbit transfers, relative motion and key mission phases. The film stays technical enough for engineers, but never feels overloaded.

Here's what we do:

• Build flexible 3D rigs for Endurance and GEO satellite targets.
• Animate approach, proximity and docking sequences inspired by real RPO concepts.
• Use motion graphics to highlight orbit changes, timelines and mission stages.
• Work closely with Infinite Orbits to ensure behaviour matches the intended mission design.

This approach makes the film feel controlled and trustworthy. Viewers can see exactly how Endurance operates and how it delivers value in orbit, without needing a background in astrodynamics.

Endurance 22’ is where the Infinite Orbits sound really began. For this first film, we developed the core of their sonic branding – a clean, modern delayed synthesiser motif that suggests precision, calm and forward motion.

In Endurance 22’ the motif appears in a more subtle form, woven into an original score that follows the mission from launch to long-term servicing. Layered sound design marks engine burns, attitude changes and docking contact without distracting from the visuals.

Here's what we do:

• Compose an original score that introduces the early Infinite Orbits synth-based identity.
• Shape the delayed synthesiser motif to support the rhythm of launch, rendezvous and servicing.
• Design SFX for launches, burns, docking and separation that underline key mission events.
• Mix and master for conference halls, meeting rooms and online playback.

This film is the first time audiences hear what would become the recognisable Infinite Orbits sound, later refined and expanded in Endurance 2024 and OrbitGuard while keeping that same delayed synth character.

Endurance 22’ had a lot of work to do in a short runtime: introduce a new service class, stay technically credible and still feel cinematic. Our edit focuses on clarity and rhythm, making sure each mission phase lands before moving to the next.

We used compositing and colour grading to bring the spacecraft, Earth and UI overlays into a coherent visual system. This look went on to inform the rest of the Infinite Orbits visual universe.

Here's what we do:

• Edit the film to guide viewers step-by-step through the mission journey.
• Composite UI elements, trajectories and data overlays onto the 3D renders.
• Apply a grade that keeps technical details readable while feeling modern and cinematic.
• Prepare stills and short cuts for use on the website, in presentations and printed material.

Endurance 22’ became a cornerstone asset for Infinite Orbits, helping them explain in-orbit servicing to stakeholders at all levels.

As Infinite Orbits’ first major mission film, Endurance 22’ needed to be flexible. It had to work in investor meetings, agency submissions, conference talks and online announcements.

We delivered the main film in multiple formats, plus shorter clips focused on docking, life-extension and disposal. This gave the team a toolkit they could reuse and adapt as the company grew.

Here's our approach:

• Export master files and variations for different presentation environments.
• Ensure text and UI overlays remain legible on both large and small screens.
• Provide shorter edits that spotlight specific mission phases and benefits.
• Supply a consistent set of visual and audio assets that can be extended in later campaigns.

This delivery package gave Infinite Orbits a solid base to communicate GEO life extension and space sustainability – and set the story that Endurance 2024 and OrbitGuard would later build on.

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